101 Days in 2020. Adam Green
In March 2020 I visited the Royal Academy of Arts in London. I saw a Picasso exhibition. It was fantastic but strangely deserted. I bought a sketchbook in the shop. That same day the RA closed for several months as did most places.
The next day I made a drawing in the sketchbook. From that first drawing I made another 100 drawings, one per day, chronicling lockdowns, news updates, days of isolation, work, zoom chats and many other things.
Here's the finished result. A document of a time etched in our memory.
The first edition is limited to 150 copies and signed, dated and numbered by the artist
In March 2020 I visited the Royal Academy of Arts in London. I saw a Picasso exhibition. It was fantastic but strangely deserted. I bought a sketchbook in the shop. That same day the RA closed for several months as did most places.
The next day I made a drawing in the sketchbook. From that first drawing I made another 100 drawings, one per day, chronicling lockdowns, news updates, days of isolation, work, zoom chats and many other things.
Here's the finished result. A document of a time etched in our memory.
The first edition is limited to 150 copies and signed, dated and numbered by the artist
In March 2020 I visited the Royal Academy of Arts in London. I saw a Picasso exhibition. It was fantastic but strangely deserted. I bought a sketchbook in the shop. That same day the RA closed for several months as did most places.
The next day I made a drawing in the sketchbook. From that first drawing I made another 100 drawings, one per day, chronicling lockdowns, news updates, days of isolation, work, zoom chats and many other things.
Here's the finished result. A document of a time etched in our memory.
The first edition is limited to 150 copies and signed, dated and numbered by the artist